Chasing Helicity by Ginger Zee

Chasing Helicity by Ginger Zee is a young adult novel aimed at a 12-15 year old audience. Ginger Zee is ABC news' chief meteorologist. This is her debut novel to be released April of 2018.

To start, Chasing Helicity is a young adult novel that tackles a few things I was pleasantly surprised by, while also ignoring some pretty glaring things that were... problematic.

I loved Zee's writing style, it was clear and concise, the bigger words were defined before being used- perfectly accessible to a younger audience. I especially enjoyed her launching into a major conflict within the first three paragraphs to really capture a young audience.

I noticed immediately that of the family, the father is the definition of toxic masculinity, while the mother just puts up with it. In fact, his rages, belittling of Helicity, and general bullying behavior is taken as just another part of life. I feel like this is really sending the wrong message to the young women reading this book in a very formative time.

Of the other three male characters, one is a side kick named Ray who is great but only gets about as much 'screen time' as Helicity's best friend Mia, which is to say not much. Ray is the only positive male role model in the book. Helicity's brother steals from her and gets hooked on opioids though this is more of an undercurrent instead of an overt conflict. Helicity's work partner and crush is an egotistical overly cocky 17 year old that literally puts people's lives in danger, and refuses to honor literally the only thing she requests of him, which is to call her by her name instead of her age. Let's just say none of the male characters in this book are ones who I would want to spend any extended time with, except Ray, he seems nice.

The book is incredibly good at getting past trauma. Helicity, her best friend Mia, her mentor Lana and her mother Elizabeth are all very strong characters who carry the weight of tragedy on their shoulders. Unfortunately, because this is a Disney book, Lana has to have  both parents in her backstory die at a young age. In fact, None of the female characters are really much of anything until they are formed by trauma. Another thing I noticed was that in order to further Helicity's story, a woman has to be horribly injured and possibly die- why this is necessary I am not sure. It seems to me to be perpetuating the "girlfriend in the refrigerator" trope.

Another example of 'women getting horribly injured for not a lot of reason' is a quote about halfway through the book that reads, "Andy told her about one woman he'd seen at the hospital who'd slipped, fallen onto a broken window, and needed sixteen stitches to close the gaping wound in her abdomen." I applaud her use of graphic imagery to get a safety point across while also giving some scary imagery to young readers- but only one man (excluding victims of a storm that die 'offscreen') gets injured... and it's a broken arm. Why do all injuries have to be girls and women?

I feel pretty torn on this book; it is well written but I'm not sure I would recommend it. The protagonist is strong, her mentor is even stronger and more resilient but there's these insidious undertones of toxic masculinity that just made it seem like a bad thing to give to young women. I'd say give it a pass, but by all means take a look if you'd like to read about storms, storm chasing, and the undervalued kid thriving!

The Brightest Sun by Adrienne Benson

This post is late because I wasn't sure if I wanted to publish it at all. You see, I hated this book so much that I wasn't sure I wanted to give it any sort of extra publicity at all. That being said, I feel like it would be disingenuous to only post books that I enjoyed instead of pointing out problematic books of our era. With that being said, here we go:

Adrienne Benson managed to write a book that managed to be an insult to everyone reading it. She had three main  characters, the white woman who escapes her problems by going to Africa, the other white woman who escapes her problems by going to Africa, and the Maasai woman whose problems can only be fixed by the white woman fleeing reality.

I don't even want to talk about the story here, what I want to talk about is the trend I have seen of books written by people with very narrow exposure to a culture with their main settings in that culture. In the author bio we see she was brought up by aid workers across sub-Saharan Africa, but never in one place too long. She was not exposed to village life, and was not involved with the local community. She has also written for buzzfeed, which shows as her writing style is easy to follow and the narrative is clear.

Ms. Benson also served as a Peace Corps volunteer in Nepal. I'm a returned PCV myself, and I would feel woefully unprepared to write a novel about village life in Ghana despite my two years steeped in the culture. Benson crosses a boundary that stopped being appropriate to cross decades ago, and she does it poorly.

Why am I so mad? Well, here's the sentence that made me quit the book for a solid four days before I could pick the piece of trash back up again, "All the mothers there were fine-tuned to the concept of benign neglect; that was the Maasai way." 

Let me say that I understand what she was attempting to convey, but this hamhanded morally superior tone was the opposite of informing the reader. In fact I think it informs us a lot more of the author than of the tribe she pretends to know.

I would recommend this book to a guttertrash fire or recycling plant, this will be the first book of this blog that I do not share with another person; do not buy this book.

The Girls in the Picture (a novel) by Melanie Benjamin

The Girls in the Picture by Melanie Benjamin is, in the same vein as Song of a Captive Bird, a historical novelization- and a very good one at that.

This book follows Hollywood's first power duo of two friends who became the first movie star and first major woman screenplay writer respectively.

Following the journey of Frances Marion and Mary Pickford from 1914 until 1969, we see two women find their own in a world that is not at all soft to women. Many times throughout the book their gender roles and struggles with everything their male costars didn't have to came to light. Even abortion was touched upon- albeit pretty late in the story considering all the flings alluded to.

One thing that didn't sit well with me was that the book is a huge feminist message and I love it! But when Birth of a Nation is released in 1918 their reactions to it are classic film school, "no one had ever seen this, we wanted to do that, etc." never once is race mentioned.

For the uninitiated Birth of a Nation is a KKK marketing movie that managed to breathe life into the struggling organization. It's praised to this day as the pioneer of most film techniques we still use today, and is taught as such in film school. By ignoring its underlying message, I feel Melanie Benjamin undercut her own; you can't place one struggle above another, and you certainly can't erase one struggle in order to better highlight your own. It wasn't until the very last act of the book that anything about race was mentioned again, in the context of Mary's (also famous movie star) husband being asked if he was "actually a darkie" as he had very sun tanned skin for the day. That's it, race is never mentioned again.

I was also disappointed by the prose in this book, unlike the last few I have reviewed which lifted off the page like a song, this book was written more like a conversation. It was engaging and well done, but not exactly the calibur of speech I would expect from a New York Times bestselling author.

To recap: The Girls in the Picture is a very well written look into the early cinema scene, a beautiful retelling of a friendship between two strong women and their careers. The Girls in the Picture is also a book with no non-white characters set in a time where the highest praise for a film was saved for a pro-klan picture which made me feel like a huge avenue Benjamin could have gone down was wasted.

That being said, I recommend this book to anyone who has an interest in film and film history. I found myself popping over to wikipedia and youtube to follow the bread crumb trail to old forgotten movies and movie stars, it was a real treat to be learning about something I had no clue even existed.

That's it for this week- and I know I technically cheated as the book was released 16 Jan 2018 but you'll have to take my word for it that I read it before then.